PERSPECTIVES
Sketching requires engagement between your subject and your mind, and again between your mind and your hand. Sketching requires time, and it requires effort. It forces decisions: what is important to capture in your sketch? What fades to obscurity, and what is completely omitted? As a transplant to Boston, I have used sketching as a tool to familiarize myself with the city and improve my understanding of its mood and energy.
Three years ago, I began participating in Boston’s fledgling Urban Sketchers group. The purpose of this group is simple: draw on location from direct observation and show the world one drawing at a time. The group has sketched all around Boston: centrally at Beacon Hill, the North End, and the Seaport district, as well as farther afield in Somerville, Revere, and Salem, to name a few. The group has grown from a few passionate sketchers to planning regular weekend events with an active core membership.
Sketching Boston with this group engages in surprising ways. What vibrancy and livelihood can we find in the dead of winter? The cafés and libraries of Cambridge supply good subject matter. In spring and summer, a dense schedule of festivals and events inspire sideline sketching from dragon boat races to farmer’s markets. The passage of time is recorded as sketchbooks from three years ago compared to last month attest to Seaport’s frenzied growth. Some structures keep bringing us back, such as Saarinen’s MIT Chapel, or Corbusier’s Carpenter Center. Other buildings are captured as abstract background to the activity of the Esplanade or on the Commons.
My familiarity with the city is actively growing through sketching. From Post Office Square, I am more aware of the textures and scale of buildings and public space in the Financial District – and how quiet it is on the weekends! From sketching in Somerville, I have become familiar with the triple-decker grain that characterizes much of the region. From sketching in the North End, I’ve encountered the prominence of patina and brick, a tradition Boston is in no hurry to forget.
This sketching and engagement is an important building block to designing relevantly. It is an extended site visit that helps me to understand where we are coming from when we propose a new building in the city. Designing requires time, and it requires effort. It forces decisions: what is important to capture in your building? The simple answer is often space, units, square footage. By understanding the existing fabric, I hope we can move beyond the quantitative, and capture a sense of this place.
RODE attended the ribbon cutting for JM Lofts last Tuesday. It was really exciting to work alongside
Traggorth Companies in a gateway city and be part of the revitalization of downtown Haverhill.
MayorFiorentini and Undersecretary Chrystal Kornegy spoke at the event and reminded us that this project is a
catalyst for the revitalization of Haverhill’s historic downtown. The building was originally built in 1882
and had been underutilized for over 50 years. JM Lofts is a 20,000+ sf adaptive reuse into 18 apartments
and 3 ground floor retail spaces, one of which will be Battle Grounds Coffee Co.
DotBlock has won approval from city officials Thursday night!
Along Dorchester Avenue between Savin Hill and Fields Corner, the mixed-use complex will add more than 350 housing units and 40,000 SF of retail to a busy intersection. The biggest project in years in the neighborhood, it also sits along a stretch of Dorchester Avenue and Freeport Street that the BRA plans to rezone for more dense, transit-oriented development.
"It’s a smart place to launch a project that could help transform a neighborhood", said City Council member Frank Baker, who represents the area.
“We need to build on our density in our neighborhood,” he said. “I think this is going to be great for Dorchester, and great for the city.”
Original article by Tim Logan, Boston Globe
May 13, 2016 – August 19, 2016
East Wing Gallery, 1st floor Campbell Hall, Charlottesville VA
RODE's work with Harvard Art Museums is being featured in the Inaugural UVA School of Architecture Alumni Exhibition “Living-Learning Environments. Twenty first century speculations on the academic village” The inaugural alumni exhibition at the School of Architecture showcases a wide range of innovative work of our alums from the past ten years that have re-defined higher education living and learning environments.
In the 1960s and 1970s, American college campuses—like American suburbs—grew quickly, through dispersed spatial patterns and in the form of single-function zones. Today, students, faculty, staff and alumni want their campuses to provide community as well as a place to educate and be educated. Campus buildings and landscapes should be attractors, spatial invitations to linger, to dream, to gather, to converse, to discuss and debate. They should afford urbanity—the effects of mixed uses, walkable campuses, places that inspire individual and collective discovery, compelling public spaces, ecologically-performative campus landscapes—regardless of the university’s location in a city, a suburb or small town.
This exhibition highlights the diverse ways 51 UVA School of Architecture alumni are contributing to and changing the conversation about the programming, planning and design of living-learning environments in higher education. Reimagining and reinterpreting the concepts of our Academical Village for a twenty-first century university.
Pictures from March 30, when Kevin Deabler and Mike DelleFave were the ‘expert visitors’ at the Henderson Inclusion School Kindergarten class in Dorchester, MA. The students are learning how to envision, design, work in teams, research, edit and EXECUTE!!!
Amazing stuff being taught to these young kids. They also presented some RODE work, answered A LOT of questions, and participated in critiques of team projects.